Skip to Content
Registrations Closed

Mathemagical Design From Fibonacci to Fractals with Jennifer Moore

Learn a visual and intuitive approach to working with symmetry movements, tiling patterns, fractals, and harmonious proportions including the golden proportion and the Fibonacci sequence.

Starts
Ends
Add to calendar:
Mathemagical Design From Fibonacci to Fractals with Jennifer Moore

Mathemagical Design From Fibonacci to Fractals with Jennifer Moore

Learn a visual and intuitive approach to working with symmetry movements, tiling patterns, fractals, and harmonious proportions including the golden proportion and the Fibonacci sequence.

Tuition Assistance and Policies
See more
Cancellation & Other Policies
See more
Registrations Closed

About

Have you ever wanted to work with these wonderful tools for visual design, but been scared off by a lack of drawing or math skills? This workshop is for you! We will take a visual and intuitive approach to working with symmetry movements, tiling patterns, fractals, and harmonious proportions including the golden proportion and the Fibonacci sequence. Through a series of fun exercises using drawing, coloring, rubber stamps and paper cutouts you will create a toolbox of skills to use in creating your own designs, and go home with a new way of looking at the world.

Note: This is not a loom weaving class - it is all paper-based design exercises that can be applied to design projects beyond fiber!

Details

A materials fee of $45, included in the price of the class, covers everything you need!

Class Policies

Ages 14 and up are welcome.

Instructor
Jennifer Moore

Widely known for her luminous color gradations, distinctive designs, and flawless craftsmanship, Jennifer's weaving has been in exhibitions and won awards in the United States and abroad for more than 20 years. Her work has been published in numerous magazines and in the "Fiberarts Design" series. Jennifer holds a master of fine arts degree in weaving from the University of Oregon, where she specialized in exploring relationships between weaving, music, and mathematics in double weave wall pieces. She maintains a studio in Santa Fe, N.M., and travels throughout the world giving lectures and workshops in weaving and design.

-*