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Dimensional Layering with Clasp Combinations

Layering sterling silver sheet, you will create 3-dimensional constructions that you craft into functional clasps.

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Dimensional Layering with Clasp Combinations

Dimensional Layering with Clasp Combinations

Layering sterling silver sheet, you will create 3-dimensional constructions that you craft into functional clasps.

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About

In this five-day Handwork workshop, we'll create approximately four samples using three methods of dimensional layering. Two of these methods also can be used to create clasps. The goal will be to create at least four projects with one or two able to also function as a clasping mechanism. Project samples can be finished out as time allows. The instructor, Suzanne, will demonstrate how to develop designs for each method, and how to create layers and assemble the two- or three-layer constructions using the following three methods:

Method 1: Cold connecting layers of sheet using rivets. Multiple layers of sheet are stacked and riveted together using rivet pins in combination with spacers (crimp beads or short lengths of tubing) to create three-dimensional constructions that have space and dimension between layers. Projects using this method can be created using mixed metals.

Method 2: Rectangular wire frames and flat sheet. A rectangular wireframe acts as both a design element and a way to create space and dimension between two layers of metal sheet (usually sterling silver) that are soldered directly to the frame. This construction method can be modified for projects so they can also function as a two-part clasping mechanism.

Method 3: Flat sheet with square wire supports. Two layers of flat sheet are soldered directly to square wire supports that create space and dimension between layers. This method also can be modified to become a two-part clasping mechanism. An insert connected to one end of a chain is placed in a channel in the main component, rotated and locked, creating a secure clasp.

Details

  • Skill level: Intermediate. You must be able to work independently on projects of your own design, and be proficient in sawing, filing, drilling, annealing, and soldering metal.
  • The studio will be open 6 to 8 PM as long as a studio monitor and/or the instructor is present.

Details

  • A materials kit, included in the price of the class, will provide everything you need except for sterling silver sheet. You may bring your own 18-gauge sterling silver sheet (20g is optional). If you plan to make all your projects with 18g sterling silver sheet, you'll need a piece that is at least approximately 2 by 6 inches.
  • Some additional materials, including sterling silver sheet, will be available for purchase through the studio.
  • You should bring:
    • Apron.
    • Towels for drying metal and hands.
    • Pen, notebook, Ultra Fine-Point Sharpie or other pen that writes on metal.
    • All other tools and equipment are provided in the studio. However, you can bring your favorite hand tools, such as pliers, flush cutters, needle files, digital calipers, etc., as well as magnifying glasses.

Class Policies

  • Wear closed-toe shoes and natural fiber clothing.
  • Do not wear loose or synthetic-fiber clothing, dangling jewelry, scarves, or ties.
  • Cover beards. Tie back long hair in a bun.
  • Ages 14 and up are welcome.
Instructor
Suzanne Williams

Suzanne, a Colorado resident, graduated from Colorado State University in 1980 with a degree in printmaking and later worked as a graphic artist, illustrator, fine artist, and technician in art/bronze casting foundries before beginning her jewelry-making career in 1990. She has shown her work in many galleries, art festivals, and group shows. Suzanne is always developing and applying new techniques and approaches to creating her signature three-dimensional jewelry. Three-dimensional structures that often include clasps and closures have always been an integral part of her designs, but in the past few years she has intensified her exploration of new and interesting ways that jewelry elements can be constructed and joined. More recently, she has been teaching workshops, further exploring and sharing novel and unconventional approaches to the fabrication of three-dimensional designs and integrating them with layering techniques and clasp and closure methods for jewelry.

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